My friend the engineer and producer Mike Exeter called me up as he was working with Tony Iommi of Black Sabbath on a choral piece which they felt needed some strings. I rocked up at Woodworm Studios with my cello and tried a few ideas, then retired to Bank Cottage to record those and a few others, and track up multiple parts. On release in 2017 my name was mentioned in most of the national papers including twice in this piece in The Mirror, Guitarist and Rolling Stone magazines and even on the Radio 4 news!
Tony Iommi
-
Slade
Credits / CV, Mixing, Recording
Slade descended to my old Bank Cottage studio thanks to a recommendation from Bill Hunt who had co-written some...
-
Stornoway – Recording and Mixing with the ambitious ‘New Folk’ band from Oxford
Credits / CV, Mixing, Recording
New Single and Album I’ve recently mixed and mastered a wonderful whole new album from the boys: Best Of...
-
Paul Van Dyk
Credits / CV, Recording
After I had produced a number of tracks with Vega 4 they set about a collaboration with dance music...
-
Appleton
Credits / CV, Recording
I recorded vocals for All Grown Up with Nicole and Natalie Appleton at writer/producer Mike Rowe’s small room at...
-
Carmelo Alfano – Additional Production, Mixing and Mastering – after a 20 year break!
Credits / CV, Latest Work, Mastering, Mixing
Carmelo Alfano I first met and worked with Carmelo over 20 years ago when I had a bedroom studio...
-
The Corrs
Credits / CV, Mixing
I worked with remix team K-Klass in their incredible nuclear bunker studio in Wales engineering the mix for Lifting...
-
Paul Carrack
Credits / CV, Recording
I was lucky enough to record this gentleman at Abbey Road Studios for a Christmas charity single version of...
-
The Bartells: “1972”… Sprucing up this great song with a bit of additional production, mixing and mastering
Credits / CV, Latest Work, Mastering, Mixing
The Bartells These Shropshire lads got together about 6 years ago. Towards the end of 2020 their main man...