My friend the engineer and producer Mike Exeter called me up as he was working with Tony Iommi of Black Sabbath on a choral piece which they felt needed some strings. I rocked up at Woodworm Studios with my cello and tried a few ideas, then retired to Bank Cottage to record those and a few others, and track up multiple parts. On release in 2017 my name was mentioned in most of the national papers including twice in this piece in The Mirror, Guitarist and Rolling Stone magazines and even on the Radio 4 news!
Tony Iommi
Related Articles
-
Slade
Slade descended to my old Bank Cottage studio thanks to a recommendation from Bill Hunt who had co-written some...
-
Lisa Stansfield
Coldcut continued their run of launching other artists’ careers with hit singles with Lisa Stansfield’s collaboration, People Hold On...
-
James Brown
Yes, you might be surprised to learn that I’m credited on a James Brown record – which I am...
-
Marc Almond
I engineered two mixes with Marc and Martyn Ware (formerly of Human League, Heaven 17) at Strongroom Studios in...
-
Teenage Fanclub
After the success of Grand Prix, Teenage Fanclub set about the follow up with the same producer David Bianco....
-
Paul Carrack
I was lucky enough to record this gentleman at Abbey Road Studios for a Christmas charity single version of...
-
Mixing and Mastering with the amazing Frank Turner
I met Sleeping Souls drummer and latterly Sad Song Co all-rounder Nigel Powell many years ago. This was through...
-
Primal Scream
I got drafted in to add some overdubs and mix a few songs for Vanishing Point, including the hit...
