Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
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Mixing and Mastering Viscula – Fantastic Post-rock instrumental music by the London-based band
Credits / CV, Latest Work, Mastering, Mixing
New Video for ‘Seagulls’…! https://youtu.be/Js2cczgybT8 Viscula Vitali Malyshko from Viscula contacted me a couple of months back... He is...
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Primal Scream
Credits / CV, Mixing, Recording
I got drafted in to add some overdubs and mix a few songs for Vanishing Point, including the hit...
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Malcolm McLaren
Credits / CV, Mixing, Recording
The erstwhile Sex Pistols manager and svengali had a continuing career in the 1990s making music for TV commercials...
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Cathal Coughlan – Mastering new material (with Luke Haines on bass) from the man from Microdisney and Fatima Mansions
Credits / CV, Latest Work, Mastering
Having mastered three Luke Haines albums, I also got to master the fabulous The North Sea Scrolls album in...
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Collaborating with shy singer-songwriter Mark Davenport on his beautiful songs
Credits / CV, Latest Work, Mastering, Mixing
New Release! Mark has recently released a beautiful new song, recorded, mixed and mastered by me, and featuring a...
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Mike Finnigan – the Demolition Man from Manchester with his Gorgeous Songs
Credits / CV, Latest Work, Mastering, Mixing, Recording
Mike Finnigan The lovely Mike Finnigan, a Bank Cottage regular, was recently in touch again to revive a song...
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The Corrs
Credits / CV, Mixing
I worked with remix team K-Klass in their incredible nuclear bunker studio in Wales engineering the mix for Lifting...
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New Radicals
Credits / CV, Mixing, Recording
Sadly I can’t lay claim to have had any involvement in You Get What You Give, one of my...