Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
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Elmwood Avenue – mastering Charlie Hula’s latest project
Credits / CV, Latest Work, Mastering
Charlie Hula The very talented Charlie Hula has sent me a few fabulous things to master over the last...
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Malcolm McLaren
Credits / CV, Mixing, Recording
The erstwhile Sex Pistols manager and svengali had a continuing career in the 1990s making music for TV commercials...
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New recordings by EZ Basic – adding cello, mixing and mastering
Credits / CV, Latest Work, Mastering, Mixing
EZ Basic I have collaborated with indie/psych-pop band EZ Basic for over a decade. Now essentially a solo project...
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Lauren Ray Returns for Mastering
Credits / CV, Latest Work, Mastering
New Single! Lauren Ray was a regular visitor to my old Bank Cottage studio and we recorded some fabulous...
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Recording and Mixing sessions with Texas at RAK and Olympic Studios
Credits / CV, Mixing, Recording
Although I was busy carving a path as a producer in 1990, I couldn’t turn down the opportunity to...
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Tony Iommi
Cello / Strings, Credits / CV
My friend the engineer and producer Mike Exeter called me up as he was working with Tony Iommi of...
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The Soup Dragons – making the Lovegod album and recording I’m Free with a gospel choir
Credits / CV, Mixing, Recording
Stop Press! Tim’s Twitter Listening Party on Thursday June 17th 2021 at 9pm. Follow #timstwitterlisteningparty and @George_Shilling for the...
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The Ancient Order Of Frothblowers
Credits / CV, Latest Work, Mastering, Mixing, Recording
In 2016 my name appeared on a beermat!