Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
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Mike Finnigan – the Demolition Man from Manchester with his Gorgeous Songs
Credits / CV, Latest Work, Mastering, Mixing, Recording
The lovely Mike Finnigan, a Bank Cottage regular, was recently in touch again to revive a song which...
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Cathal Coughlan
Credits / CV, Latest Work, Mastering
Having mastered several Luke Haines albums, I also got to master the fabulous The North Sea Scrolls album in...
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Recording with The Wannadies: having fun in the studio with the lovely Swedish pop geniuses
Credits / CV, Mixing, Recording
I produced, engineered and mixed a bunch of recordings with these lovable Swedes in the 1990s. We went to...
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Mixing and Mastering with the amazing Frank Turner
Credits / CV, Latest Work, Mastering, Mixing
I met Sleeping Souls drummer and latterly Sad Song Co all-rounder Nigel Powell many years ago. This was through...
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McAlmont & Butler
Credits / CV, Recording
As Bernard’s regular engineer for both of his solo albums, I’d sometimes continue to work with him in his...
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The Ancient Order Of Frothblowers
Credits / CV, Latest Work, Mastering, Mixing, Recording
In 2016 my name appeared on a beermat!
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Blur
Credits / CV, Mixing
I remember getting the last minute call for this session at about midday on a rainy Sunday when I...
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Mike Oldfield
Credits / CV, Mixing
After working with Sally Oldfield and Henry Jackman for a number of weeks at Mike’s studio in Chalfont, Mike...