Steve Cradock and Simon Fowler came to my Bank Cottage Studio around 2009 to record and polish up demos for their Saturday album. I added a bit of cello and that was retained in the final album version. They returned to record an extra track Dawn Cried The Day for the 21: The Boxset collection. Popping down the pub while I mixed it, Simon proclaimed it to be “the best recording we’ve ever done”!
Ocean Colour Scene
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DJ Billy Millings: Mastering fantastic House and Techno tracks by the prolific London DJ/Producer/Remixer
Credits / CV, Latest Work, Mastering
DJ Billy Millings Billy has been expertly DJ-ing for many years, with radio shows, club appearances, alongside creating his...
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The Corrs
Credits / CV, Mixing
I worked with remix team K-Klass in their incredible nuclear bunker studio in Wales engineering the mix for Lifting...
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Druv Kent – Mastering international hits for the Indian born Singer Songwriter
Credits / CV, Latest Work, Mastering
Druv Kent Wanna Love Again is the fabulous new single from Asian megastar Druv which I recently mastered. The...
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Producing, Mixing and Mastering Love Street’s fabulous album The Alchemist’s Daughter
Credits / CV, Latest Work, Mastering, Mixing, Recording
Love Street I’ve worked with Love Street band for many years. Founded by singer/writer/multi-instrumentalist Julian Clark, I did additional...
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New Radicals
Credits / CV, Mixing, Recording
Sadly I can’t lay claim to have had any involvement in You Get What You Give, one of my...
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Recording with The Wannadies: having fun in the studio with the lovely Swedish pop geniuses
Credits / CV, Mixing, Recording
I produced, engineered and mixed a bunch of recordings with these lovable Swedes in the 1990s. On about four...
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Blur
Credits / CV, Mixing
I remember getting the last minute call for this session at about midday on a rainy Sunday when I...
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Paul Carrack
Credits / CV, Recording
I was lucky enough to record this gentleman at Abbey Road Studios for a Christmas charity single version of...